About Us

Why We're Different

At Art City Bronze, we work by the following guiding principles:

  • Win together. We work together as one team, showing empathy and respect to each other along the way.
  • Make it Easy. We only succeed when our clients succeed. We seek to understand our client’s needs, both internally and externally and make the process easy for them.
  • Say it, do it, own it. We honor every one of our commitments and deliver on our promises. We are honest, ethical, and trustworthy.
  • We solve the problem. If we see a problem or issue with quality, we solve it.
  • 1% better each day. We strive to always improve every single day. Our process, our business, our community, ourselves.

These core values provide a framework that help us shape our decisions, behaviors, and culture and ultimately succeed with our clients.

Jeff Wright

President of Art City Bronze

Jeffrey Wright a Native to Utah and a leader with over 20 years of experience integrating the functions of people, processes, systems, priorities, and strategies.  He has lived abroad with his family for over 10 years leading a multinational organization and is a Master in follow-through with the unique ability to execute the vision of the Company and help team members stick to this vision.   Jeffrey holds an MBA from Westminster College and has been recognized repeatedly for exemplary performance and contributions throughout his career.   His greatest accomplishment is of a father and individual dedicated to giving back to the community.   He has dedicated more than 7,400 hours of his personal time in service both locally and abroad to give back to his communities.

Jeff Wright

President of Art City Bronze

Jeffrey Wright is a Native to Utah and a leader with over 20 years of experience integrating the functions of people, processes, systems, priorities, and strategies. He has lived abroad with his family for over 10 years leading a multinational organization and is a Master in follow-through with the unique ability to execute the vision of the Company and help team members stick to this vision. Jeffrey holds an MBA from Westminster College and has been recognized repeatedly for exemplary performance and contributions throughout his career. His greatest accomplishment is of a father and individual dedicated to giving back to the community. He has dedicated more than 7,400 hours of his personal time in service both locally and abroad to give back to his communities.

Our Administrative Team

Mariah

Production Facilitator

Mariah

Mariah is a very talented artist having graduated with her Bachelors in art and design from UVU. She’s delved into sculpting for bronze since starting here at the foundry. Her style is very mythical and unique. Her ability to organize makes a big difference in the front office and managing scheduling and production.

Alleine

Account Manger

Alleine

Karl Lifferth

Facility Manager

Karl Lifferth

Explore The Process

3 Lost Wax Process

The Lost Wax Process

  1. Mold. A mold is created.
  2. Wax Pour. Wax is poured inside the mold creating a wax model.
  3. Wax chasing. The wax is removed from the mold, cleaned up, sprues or gates are added along with a pouring cup to the wax model.
  4. Slurry or Investment. The wax model and sprues are dipped into a slurry material to create a ceramic shell.
  5. Flashing or Burnout. The shell is placed in a kiln.  This creates a ceramic shell and melts out the wax, creating a void for the bronze to be added.
  6. Casting. Molten metal is poured into the mold.
  7. Chip-off. The ceramic shell is cooled, then chipped off exposing the metal.
  8. Metal Prep. The piece is sandblasted, and the sprues are cut-off with a plasma cutter.
  9. Metal Chasing. The piece(s) are welded back together, and the final polishing and texturing is completed over the welded seams. Final polishing takes place.
  10. Patina. The desired finish is applied.

Sculpting

A sculptor may create their original artwork out of various materials (clay, wax, wood, plaster, stone, etc.), but the most common medium we see is clay.

Artists will spend considerable time studying, mapping out, drawing, and designing a sculpture long before any sculpting actually begins. Depending on the size and complexity of the piece, sculpting can take anywhere from days to months to finish.

Mold Making

After an artist's original piece has been sculpted, a silicone rubber mold must be made.

Layers of liquid rubber are applied to the original sculpture to capture the fine detail. After the rubber has set, a thick plaster mixture is applied and given time to harden to create a rigid "mother mold" to help preserve the firm shape.

Depending on the size of the piece, a mold can be made in several pieces to allow for a more excellent wax pour and ease of assembly.

Wax Pour

Now, using the rubber mold made from the original piece, molten sculpting wax is poured into the hollow interior of the mold. The wax is allowed to cool before it is carefully pulled out of the mold. Now we have a highly detailed positive wax copy of the original sculpture!

Wax Chase

Now that we have a detailed wax copy of the original sculpture, our trained wax chasers now clean up the wax.

Using many of the same tools that the artist uses to sculpt the original, our wax chasers clean up air bubbles, seams (from connecting areas of the mold), and any imperfections so as to match the texture and essence of the artist's original sculpture.

Slurry/Shell

The sprued wax copy & cup are then dipped in several layers of a liquid "slurry" mixture and sand to encase the wax, which then dries and hardens. This ensures that the wax pattern & sprues are fortified by an outer ceramic shell that becomes the final mold after the shell is fired and the wax has melted out.

Bronze Casting

After the ceramic shells have been hollowed out, ingots of bronze are placed into a crucible and melted into a liquid state. The red-hot crucible is hooked to a movable crane and hoisted up to pour the molten bronze into the ceramic shells at 2000 degrees.

Metal Prep: Chip, Sandblast, & De-sprue

After the molten bronze has cooled, the ceramic shell is removed through chipping and sandblasting to reveal the detailed, raw bronze copy of the original sculpture.

The sprue gates that were attached in wax (now converted to bronze) are cut off so that the metal chasing can begin!

It is more common that a sculpture is cast in several parts, so our metal chasers will prep and weld the pieces together before beginning the metal chasing.

Metal Chase

Once the metal has been prepped, our metal chasers re-assemble the art piece by welding the cast pieces together. Then, significant time is taken to chase away the weld and replace the texture in the sculpture. Pneumatic tools are used to restore detail, resulting in an exact representation of the artist's original sculpture.

Patina

The final stage is patina, which is the coloration of the bronze brought about by the oxidation of the metal surface. This is achieved by applying various chemicals and finishes to the surface of the bronze to ensure they create the desired color effect that the artist desires.